Cowboy Chabako Nears Completion!

The Cowboy Chabako set that I started in May this year is nearing completion. The idea initially started with a glass cowboy boot that I reckoned could be used as a chakin-zutsu and also reflect our Texas location. Since I wanted to use my home-made Cowboy Chabako for tea lessons today, I worked hard this week to finish the main parts. 

As I worked, I thought more about my research for the cowboy theme. There are some interesting comparisons between Japanese chabako and American cowboy life on the trail. Chuck is a cowboy term for food, hence, a chuck wagon is a mobile kitchen. All the equipment is carried on the wagon in wooden boxes with the dual purposes of storing and then folding out to be used as a preparation area. The coffee pot was sometimes hung from a tripod of iron rods over an open fire, similar to the Japanese way of heating water in a kettle hanging over a fire on the ground for outdoor tea gatherings. 

Of course, the big difference between the two activities is that the chuck wagon was essential equipment for feeding working American cowboys on the dusty trail and while chabako was designed by the elite, educated strata of Japanese society as an outdoor aeshetic experience (viewing cherry blossoms, moon-viewing) in a beautiful garden landscape.

This comparison reminds me of my beloved Grandma who taught me to imagine that I was a lady with elegant manners at a tea party, even though we were actually sitting on her little front porch on the edge of a country town, snapping the beans that Grandpa had grown in their garden. Somehow she implied that how we thought about what we were doing turned an every-day job done well into a fulfilling and worthy act. Although I didn’t know it at the time, I now realize that to her a “lady” was someone who behaved with dignity and respect for all things and people, rather than someone with money. I think this is very much in keeping with Sen no Rikyu’s advise in the 16th century: simply boil water, make tea, and drink. This simple act, with mindfulness, can lead to spiritual and philosophical understanding.

In process, on my worktable. 

The process of making:

Since the lidded basket used for the shikishi-date chabako procedure has a sanada-himo (woven ribbon ) closure and is lined with brocade fabric, I took artistic license with this box and added a “cowboy” touch to the outside with a belt made with saddle string leather and brass stars to represent Texas.

The box originally had brass hinges and clasp, but I wanted the lid to lift off, so a flange was needed to hold the lid in place. And because the inside was very rough it seemed practical to use mat board covered in fabric to make the flange and finish the inside.

I was going to line the box with a red bandanna, but then I found cotton quilt fabric that looks "Western" but is actually stylized Far-Eastern motifs of umbrella, vase, peonies, etc. 

My husband helped me build a cedar wood mini-okiro to used instead of the usual binkake (small brazier) that holds an electric heater. It's 8" square x 7" high, lined with copper.

The blue enamel coffee pot is my cowboy testubin.  The metal gets too hot to hold, so I tied a leather knot on the lid and a red bandanna on the handle. Someday I'd like to trace the paisley pattern from 17th c. Kashmir shawl to the American cowboy bandanna of the 19th c.

After tea and sweets are served, the box is passed to the guests for a closer look. For a special surprise I included a postcard from the 1940s inside the lid. It illustrates a cowboy riding for the Pony Express Mail Delivery Service (circa 1850s).

I made the whisk tube of leather laced with waxed red cord, and lined with a plastic sheet to keep the whisk clean. Next to it is the glass boot that started it all.

The natsume (tea caddy) is natural wood. I made the chawan (teabowl) with dark stoneware clay and a shino glaze. The kobukusa (small folded napkin) is a woven stripe pattern with fringe ends that is reminiscent of a saddle blanket.

There are still a few more details to add, or refine, and I will post them later.  "Happy Trails to you..."

Tiny Tetsubin & New Chabako

A good friend gave me this tiny tetsubin (hot water kettle) for my birthday. It sparked the idea that I could make a miniature chabako to take in my purse and practice almost anywhere. 

Toy metal box is 2.25" high x 2" x 3".

Chabako set on my desk, with keyboard for scale.

It was fun to look around the house for materials. 

The 1.75" tall chasen, kakego (inner tray) and kizue (hinged 4-part board) was made with yellow card-stock. The kobane (feather duster) is a piece of facial tissue and a toothpick. Small corks, and sections of a big bubble-tea straw covered with either a gold paper from my favorite chocolate bar, or maroon card-stock became the chasen & chakin zutsu and the natsume. 

TO-DO LIST:

Sew shifuku (brocade bags) for chawan, natsume & chashaku.

And, maybe make a bamboo chasen and natsume.

MORE VIEWS

Top view after kakego is removed.

The Chawan is a sake cup, from same friend.

I hope you enjoyed this visual cup of tea!

Macrame Furidashi Bag

This is the macrame bag I made for my furidashi (jar for kompeito, hard candy). 

I used inexpensive Perle cotton thread before trying it in real silk. The cord is made by kumi-himo braiding. When I started this project, I imagined a purple sanada-himo cord on the gosho-bako (lidded basket), and this color was the best match to the purple fukusa (silk napkin), which I thought would work well.

However, when I looked for chirimen (crepe) silk to make the teabowl-bag and the small kobukusa, I could only find a red-brown-purple, called "Madder Brown" on the Pantone color chart. Since I had planned to make another bag with with silk thread anyway, I found a color that coordinates with my chirimen silk.

This is how I start to make the macrame bag. 

First, I found a tube the right diameter and covered it with a cotton batting cushion and then grid paper. The cotton batting allows me to use straight-pins to anchor the thread in line while the macrame knots are tied. The tube is on the neck of a wooden bottle, which gives it weight and stability. 

The bright red working-cord at the top will be replaced with a kumi-himo cord in the same color as the bag. 

Come back later for pictures of the finished bag.  

Two New Boxes!

Today's chabako hunt yields 2 more pieces!

WOODEN CHABAKO

First, I stopped by my favorite resale shop and found a wooden box to convert. The photo on the left is my "real" chabako sitting on top to compare the size. It won't be hard to take off the hinges and finish the inside.

 

CLEAR CHABAKO

I also finally found a clear plastic box that was designed with an inner removable frame for mini hanging-file for CD sleeves.

In the photo below, the frame is "pretending" to be the inner chabako tray. My plan is to glue a clear plastic bottom to the frame, if I can figure out how to cut a nice round hole to make room for the chasen tsu-tsu.

In these pictures I chose a cut-glass toothpick-holder from my sensei to be the chakin tsu-tsu, and a little glass bottle as a furidashi for sweets. 

I have been looking for a clear or silver tube for the chasen tsu-tsu, but the lacquer chasen-tsu-tsu and wooden hira natsume seem to balance the cold clear pieces. What do you think?  

Gosho-bako Progress

The last two months were very busy, my 65th birthday was yesterday, and tonight is a "Blue Moon" - time to post progress on making a gosho-bako so that I can begin to learn the Shikishi-date procedure.

The first step was to find a basket to convert into a goshobako. I finally found a vintage lady's straw purse in an antique mall, pictured here next to my chabako to show its relative size. The real gosho-bako are beautifully crafted baskets, but  this will be OK for my practice. Maybe someday I will have time to make a nicer basket.

Removing the zipper made the interior space a little too shallow, so I added a ring of upholstery trim in its place to increase the depth and give it a more finished appearance.

after zipper was removed, before trim was added

It was a challenge to duplicate the sanada-himo, ribbon tie. The closest I could find was "gimp" for trimming upholstery, but it did not look the same on both sides so I hand-stitched two layers back-to-back which also helped make it more substantial. The metal attachments are made from beading-supply parts I found at a craft store. I couldn't resist adding the little swallow [燕 Tsubame]

While I was looking for the the right ribbon, I made 4 kobukusa (silk napkins). The silk for 3 kobukusa came from a resale shop that receives donations of fabric samples. The plain chirimen silk from vintage kimono fabric was ordered online. I still need to make the chirimen silk bag for 2 nested chawan and the little cushion that goes between that is used instead of the brocade shifuku in the picture.

I had already made the macrame shifuku (drawstring bag) for the furidashi (sweets jar), but now I think that the purple looks too bright with the other things. I will make another that is closer to the color of the plain purple kobukusa, which looks rather brown in this photo, maybe with silk thread this time instead of Perle cotton.

The "ivory" chashaku (tea scoop) was lent by my tea sensei. It fits in the basket, but I think that a shorter one may be used for goshobako. 

red raku chawan

The other thing still missing is the chakin-bako which is a box with a lid that fits completely over it, 2" x 2" x 1.5" tall, made of either silver or lacquered wood. The chakin (wet linen cloth) is stored inside and the deep lid is turned upside down to rest the chasen (whisk) at an angle. It's hard to believe but I  have not been able to find that size box ... yet!  

Last week I helped my teacher with a chanoyu presentation at an art camp for grades 1-3 at a museum in San Antonio. It's a challenge to create a sense of tranquility in an unfamiliar place and in a short period of time.

We plan weeks in advance and make a check list to assure that we pack all the things necessary. Once we arrive at a location it takes over an hour to set up plus the same amount of time to carefully pack everything away.

This time we decided to do Wakei Chabako so that the children could see the "magic" of bringing all the pieces out of a small box to make a cup of tea. Instead of the contents in the picture, I used 2 nesting teabowls and a furidashi (sweets jar) that I made. I used lacquered pieces with a "koma" pattern of colored concentric rings, reminiscent of a child's toy spinning top. I will post a picture of that later.

my chabako set

I found a clear box that is pretty close to the correct chabako proportions, but the lid has a white edge so I didn't include it in this photo. Now I'm sure that I want to invest in a very nice clear box and will research having one made.